RED Gemini


The RED DSMC2 BRAIN with GEMINI 5K S35 Sensor features a low-light capable sensor with dual ISO 800/3200. The GEMINI provides cleaner imagery with less noise and better shadow detail. The DSMC2 BRAIN is capable of data write speeds of 300 MB/s and can simultaneously record in REDCODE RAW, Apple ProRes, or Avid DNxHR/HD. NASA used this camera to record low-light images in space.

Due to its two stops sensitivity over the HELIUM sensor, the GEMINI is now even more capable of capturing what you see in low-light scenarios. This sensor falls in size between the MONSTRO and the HELIUM (30.72 x 18mm; 35.61mm diagonal). GEMINI captures 5K RED RAW @ 96fps and includes what RED calls “big pixels.”

*Variety of Lens Mounts Available Upon Request.

*Variety of OLPF Available Upon Request.

GEMINI 15.4 Megapixel Dual Sensitivity CMOS

5120 × 3000

30.72 mm × 18 mm (Diagonal: 35.61 mm)

16.5+ stops

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

75 fps at 5K Full Height 1.7:1 (5120 × 3000)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

From 2:1 up to 22:1

3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps
6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps
2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps
8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps
2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps
6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps

5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

~3.4lbs (Body Only)

~5.0lbs (Body with cage)

~10lbs (Average build with short zoom)

RED Weapon Gemini 5K S35 Camera Body
RED Epic TI PL Mount
RED Weapon Dragon DSMC2 OLPF: Standard
DSMC2 Base Expander for RED Weapon
RED DSMC2 Sidekick
RED PRO Electronic Viewfinder
Wooden Camera UVF V2 Tube Clamp
Wooden Camera UVF NATO Rail with 15mm Rod & End Screw
Wooden Camera UVF V2 Knuckle with Sled for NATO Rail
RED 7″ Touchscreen LCD
RED LCD Cable
DSMC2 Top Handle for RED Weapon
Wooden Camera Easy Top Plate with Lemo Adapter
Wooden Camera Easy Riser Shim Plate
Wooden Camera 15LW Bracket for Shim Plate
(2) Wooden Camera NATO Side Arm
Arriflex 19mm Bridge Plate BP-8
Camera Dovetail Plate 12″
Set of 19mm Rods
(4) RED Mini-Mag 240GB SSD Card
RED Station RED Mini-Mag
Wooden Camera Cable-less Gold Mount Module for RED Weapon
RED AC Power Adapter Elpac (For Epic & Weapon)
(4) Anton Bauer Dionic XT 150GM
Anton Bauer LP4 Quad Charger w/ AC Cable
Custom Hard Case for RED Epic/Weapon Camera

HAND HELD FILMS

Contact Us

129 W 27th St.
New York, NY 10001
(212) 502-0900
Hours of Operation
Monday – Friday
8:30AM – 6:00PM
For after-hours, contact [email protected]